Seymour Duncan Billy Gibbons Red Devil Bridge Black

Everything is bigger in Texas—and it’s hard to imagine a bigger tone than Texas-born Billy Gibbons’ 1959 Les Paul, Pearly Gates. When you have a good thing, more of it is better too. Never one to limit himself to a single guitar, Billy insists on the same humbucker tone he knows and loves in his ’59 when he plays anything else. So, after a call to La Maestra, Maricela “MJ” Juarez, a new pickup set was born.